Friday, November 9, 2012

Tuesday/ Thursday 6-8 November


Sorry for the late blog entry.
This week we've been working on developing Toasts that are due in class on Tuesday, 13 November. On Tuesday students received a handout with instructions and a variety of advice about toast style and structure.

We established the the ritual format for a toast is:
State the purpose of the toast
Thanks the hosts
Tell an anecdote (story) that illustrates the reason for the toast
Make (state) the toast.

On Thursday students were to bring a rough draft of their toast. The toast should be between one and two minutes long.

On Thursday we reviewed the state scoring guide for speaking, and then reviewed videos of toasts that were done well (or not) and analyzed what was done well and what not done well.

Finally students worked in groups to get feedback on their own toasts, and to begin revising these toasts for Tuesday.

Here are links to some of the toasts we reviewed:
Gets some of it just right

Many things NOT to do.

Bad job.

Strengths and weaknesses

Well done.

One more we didn't get to.

REMEMBER: Toasts due on Tuesday!

Tuesday, October 30, 2012

Tuesday, 30 October, 2012

Class began and ended with writer's sharing their morbid fiction and receiving positive feedback from their peers.

Writers made a list of things that they are grateful for. Writers shared their lists, and wrote down items they heard others share that they also were grateful for.

Writers wrote about how and why they are grateful for one of these things.

The list and writing done from the list is the beginning of the next two units. This month writers will be creating a toast, a short speech of gratitude or thanks, and will begin working on a personal essay (the kind written for college applications).

Monday, October 29, 2012

Monday, 29 October, 2012

Class began with the prompt, "It was a dark and stormy night...."

Next writers worked on a self-evaluation of their morbid fiction. Topics addressed in the self-evaluation are:
What I liked about my story:
Writing techniques that I used well:
The story needs improvement in:
The grade I deserve for this piece of writing:

All writing to the above prompts should include the question stem, and a detailed explanation of "why" including evidence from the story.

While writers share their stories other writers take notes on aspects of the story or lines of the story that they like. These may be borrowed in future writing assignments, and are being used to provide positve feedback to the authors.

Thursday, October 25, 2012

Thursday, 25 October

Mr. Zartler checked on the homework of bringing a typed draft to class.

Class began with a two part prompt:
What I fear
What I don't fear

Writer's then choose one of the items from their list for personal or fictional writing. Many were shared.

Next we read a piece by Annie Lamott Sh**** First Drafts, and discussed her suggestions for successful writing.

Students presented their Writing Down the Bones project. Grades are now posted. Anyone without a grade should see Mr. Zartler immediately.

Next writers analyzed their current draft of the morbid fiction. When writers could not come up with ways to address weaknesses on their own, the class and Mr. Zartler helped them problem solve.

Morbid Fiction pieces are due on Monday.

Tuesday, October 23, 2012

Tuesday, 23 October

Class began with students presenting Writing Down the Bones projects. Each student then choose one of the presentations as a prompt. After sharing writing the class had a lesson in properly editing of dialogue. This assignment was turned in so should be completed by all students who missed class.

Writers then discussed what kinds of feedback they needed to help them revise and improve the morbid fiction piece that is due on Monday. Ideas included feedback on the elements of story telling; feedback on pacing and variety; the balance of scene and summary. Some writers wanted feedback on questions such as, "What stays?" "What goes?" "What feels right?" "What's missing?"

Writers had time to conference with randomly assigned partners.

Monday, October 22, 2012

Monday, 22 October

Homework:
Finish reading Edgar Allen Poe's "Masque of the Red Death."

Then looking at your current draft of your morbid fiction piece, choose a passage to revise the setting description, or to add setting description. Bring the draft and the new writing to class on Tuesday.

In class we began reading Poe's "Masque of the Red Death."

The prompt today was to write a dialogue. There was a short lesson on how to properly edit and present dialogue. The key rules for editing and presenting dialogue are:

Begin an new paragraph (don't forget to indent) each time the speaker changes.

Use quotation marks to indicate the exact words spoken.

Set off the quotation from the tag using a comma or other appropriate punctuation mark:

     "Hi," said Tom.
    "Hello," replied Julie. "Do you think it will rain today?"
     Tom looked up at the sky, then down at his bare feet. He thought about how miserable it would be to get wet in his brand new silk shirt. "I certainly hope not!"
     "Me neither." Julie smiled and walked away.


Thursday, October 18, 2012

The opening prompt today was:
Write about your favorite place.

Next writers read and compared the following vignettes:


            Number 200 was at the far end of the building.  Zoë walked the quarter mile from math class, passing no less than forty-nine classroom doors, at least six of which were English classrooms.  “That Zartler guy had better be as good as everyone says,” Zoë thought. 
            After walking a year, Zoë reached room 200.  A wide wooden door, with a huge chip of veneer missing was all that stood between Zoë and his last class of the day.  Zoë reached for the door, just as his fingertips touched the knob, the door swung wide open, nearly clipping his nose.  “I can’t take it!” yelled a tall blonde girl in a General’s soccer jersey, “It’s just too much!” she screamed as she fled down the hall.
             Zoë walked in. Half the shades were halfway up, and the other half were closed.  A strange smell swirled through Zoë’s nose – it reminded him of old lemons.  A paunchy man with a goatee and a school ID labeled “Zartler” was leaning against the chalkboard, a thin layer of white chalk dust hung like vocadandruff on the collar of his worn polyester shirt.
            “Welcome to creative writing,” beamed the teacher.
            Zoë knew this wasn’t going to be good.
           

            Leaving room 274 was anguishing.  Zoë had loved her first day in geometry.  The teacher Ms. Willow had been clear, funny, and had not assigned too much homework.  At the other end of the school was an unknown. “Zartler – English Lit.”  Every time she had shown her schedule to someone they had frowned, or just stopped talking when they got to seventh period.
             Zoë walked by room 243; the fluorescent light overhead was flickering.  As she got to room 206 she entered a long stretch of hall where the lights all seemed to be out, and where the janitor seemed not to come at all.  At the very end of there was one door.  It was labeled “200,” though the “2” was hanging cockeyed from one nail, and one of the zeroes seemed to have been cut out of red construction paper so long ago that it was now the same faded brown as an old scab.
             Zoë stood in front of the door.  The was a large scar in the wood, a place where a chunk of it’s skin had been torn off.  It was all that stood between Zoë and his last class.
            Inside the room was a patchwork of shadow and light.  Shades were randomly up, down and in between.  A couple of football players, still in their huge jersey’s even though it was December cowered in one corner of light.  In the back of the room, almost hidden by shadow a dark, goateed figure nearly as ominous as the blackboard he was writing dense, tiny sentences on.
            “You’re late.  Copy what’s on the board before it’s too late,” the teacher said.

The class discussed how the second version using setting to create a much more ominous and sinister character. The class discussed the use of the opposite of what is expected as irony.

The majority of class time was devoted to conferencing on writers morbid fiction drafts in triads. The class followed the following procedures. The 
1) Writer describes what he /she is trying to "do".
2) Writer describes what she / he thinks that they have done well.
3) Writer offers two questions he / she has about their draft and asks either for positive feedback or positive feedback AND constructive criticism.
     a) Their story, e.g. plot, character, theme, etc
     b) Their writing, e.g., use of the elements of story telling, pacing, etc.
4) Writer shares their story
5) Writer receives feedback
6) Repeat for all members of the group.

With the remaining time writers had time to revise or have additional conferences.