Tuesday was a "Thursday Block Schedule".
Writers worked with Mr. Zartler on the definition of "morbid." Writers made lists of things that can die (biologically or metaphorically).
Writers read the essay "Broccoli" by Anne Lamott. Writer's gave a name to their intuition, and made a list of things that really mattered to them.
WITS Residency began. Writer Karen Karbo taught her first lessons.
She introduced herself as an author of 11 books (one of which won an Oregon Book Award, another of which was nominate for a Pulitzer Prize). She has written many magazine articles.
Writer's will be writing a memoir or a personal narrative during her residency. The DEADLINE for turning these in is January 26th. NO pieces will be accepted after the deadline.
Writer's were asked to fill out their "real" profile (e.g. Facebook profile). To honestly answer the following (the first four are less interesting than the rest of the list).
Name
Birthday
Hometown
Political Views
Activities
Passions
Favorite Arguements
Things I hate
Most Traumatic Experience
Biggest Disappointment
Secrets
Best Personal Trait
These profile were put into the black WITS folders and turned in.
Karen will return for her next lessons on Thursday, 15 October.
Wednesday, October 7, 2009
Monday, 5 October
Writer's checked out a copy of Writing Down the Bones, and read the section called "Baking a Cake."
Writer's discussed the following list:
Ronald Tobias, in his popular and practical book, 20 Master Plots, and how
to build them, describes 20 common story plots and gives lots of detail on
how to construct complete stories around them.
The 20 Plots
*1. Quest
The hero searches for something, someone, or somewhere. In reality, they may
be searching for themselves, with the outer journey mirrored internally.
They may be joined by a companion, who takes care of minor detail and whose
limitations contrast with the hero's greater qualities.
*2. Adventure
The protagonist goes on an adventure, much like a quest, but with less of a
focus on the end goal or the personal development of hero hero. In the
adventure, there is more action for action's sake.
*3. Pursuit
In this plot, the focus is on chase, with one person chasing another (and
perhaps with multiple and alternating chase). The pursued person may be
often cornered and somehow escape, so that the pursuit can continue.
Depending on the story, the pursued person may be caught or may escape.
*4. Rescue
In the rescue, somebody is captured, who must be released by the hero or
heroic party. A triangle may form between the protagonist, the antagonist
and the victim. There may be a grand duel between the protagonist and
antagonist, after which the victim is freed.
*5. Escape
In a kind of reversal of the rescue, a person must escape, perhaps with
little help from others. In this, there may well be elements of capture and
unjust imprisonment. There may also be a pursuit after the escape.
*6. Revenge
In the revenge plot, a wronged person seeks retribution against the person
or organization which has betrayed or otherwise harmed them or loved ones,
physically or emotionally. This plot depends on moral outrage for gaining
sympathy from the audience.
*7. The Riddle
The riddle plot entertains the audience and challenges them to find the
solution before the hero, who steadily and carefully uncovers clues and
hence the final solution. The story may also be spiced up with terrible
consequences if the riddle is not solved in time.
*8. Rivalry
In rivalry, two people or groups are set as competitors that may be good
hearted or as bitter enemies. Rivals often face a zero-sum game, in which
there can only be one winner, for example where they compete for a scarce
resource or the heart of a single other person.
*9. Underdog
The underdog plot is similar to rivalry, but where one person (usually the
hero) has less advantage and might normally be expected to lose. The
underdog usually wins through greater tenacity and determination (and
perhaps with the help of friendly others).
*10. Temptation
In the temptation plot, a person is tempted by something that, if taken,
would somehow diminish them, often morally. Their battle is thus internal,
fighting against their inner voices which tell them to succumb.
11. Metamorphosis
In this fantastic plot, the protagonist is physically transformed, perhaps
into beast or perhaps into some spiritual or alien form. The story may then
continue with the changed person struggling to be released or to use their
new form for some particular purpose. Eventually, the hero is released,
perhaps through some great act of love.
*12. Transformation
The transformation plot leads to change of a person in some way, often
driven by unexpected circumstance or event. After setbacks, the person
learns and usually becomes something better.
Like above 13. Maturation
The maturation plot is a special form of transformation, in which a person
grows up. The veils of younger times are lost as they learn and grow. Thus
the rudderless youth finds meaning or perhaps an older person re-finds their
purpose.
****14. Love
The love story is a perennial tale of lovers finding one another, perhaps
through a background of danger and woe. Along the way, they become separated
in some way, but eventually come together in a final joyous reunion.
*15. Forbidden Love
The story of forbidden love happens when lovers are breaking some social
rules, such as in an adulterous relationship or worse. The story may thus
turn around their inner conflicts and the effects of others discovering
their tryst.
*16. Sacrifice
In sacrifice, the nobler elements of the human sprit are extolled as someone
gives much more than most people would give. The person may not start with
the intent of personal sacrifice and may thus be an unintentional hero, thus
emphasizing the heroic nature of the choice and act.
17. Discovery
The discovery plot is strongly focused on the character of the hero who
discovers something great or terrible and hence must make a difficult
choice. The importance of the discovery might not be known at first and the
process of revelation be important to the story.
18. Wretched Excess
In stories of wretched excess, the protagonist goes beyond normally accepted
behavior as the world looks on, horrified, perhaps in realization that
'there before the grace of God go I' and that the veneer of civilization is
indeed thin.
19. Ascension
In the ascension plot, the protagonist starts in the virtual gutter, as a
sinner of some kind. The plot then shows their ascension to becoming a
better person, often in response to stress that would defeat a normal
person. Thus they achieve deserved heroic status.
20. Descension
In the opposite to ascension, a person of initially high standing descends
to the gutter and moral turpitude, perhaps sympathetically as they are
unable to handle stress and perhaps just giving in to baser vices.
Pick some of your favorites so that the writers have some ideas (I’ve put *
next to the ones I think are most useful….
Writer's discussed the following list:
Ronald Tobias, in his popular and practical book, 20 Master Plots, and how
to build them, describes 20 common story plots and gives lots of detail on
how to construct complete stories around them.
The 20 Plots
*1. Quest
The hero searches for something, someone, or somewhere. In reality, they may
be searching for themselves, with the outer journey mirrored internally.
They may be joined by a companion, who takes care of minor detail and whose
limitations contrast with the hero's greater qualities.
*2. Adventure
The protagonist goes on an adventure, much like a quest, but with less of a
focus on the end goal or the personal development of hero hero. In the
adventure, there is more action for action's sake.
*3. Pursuit
In this plot, the focus is on chase, with one person chasing another (and
perhaps with multiple and alternating chase). The pursued person may be
often cornered and somehow escape, so that the pursuit can continue.
Depending on the story, the pursued person may be caught or may escape.
*4. Rescue
In the rescue, somebody is captured, who must be released by the hero or
heroic party. A triangle may form between the protagonist, the antagonist
and the victim. There may be a grand duel between the protagonist and
antagonist, after which the victim is freed.
*5. Escape
In a kind of reversal of the rescue, a person must escape, perhaps with
little help from others. In this, there may well be elements of capture and
unjust imprisonment. There may also be a pursuit after the escape.
*6. Revenge
In the revenge plot, a wronged person seeks retribution against the person
or organization which has betrayed or otherwise harmed them or loved ones,
physically or emotionally. This plot depends on moral outrage for gaining
sympathy from the audience.
*7. The Riddle
The riddle plot entertains the audience and challenges them to find the
solution before the hero, who steadily and carefully uncovers clues and
hence the final solution. The story may also be spiced up with terrible
consequences if the riddle is not solved in time.
*8. Rivalry
In rivalry, two people or groups are set as competitors that may be good
hearted or as bitter enemies. Rivals often face a zero-sum game, in which
there can only be one winner, for example where they compete for a scarce
resource or the heart of a single other person.
*9. Underdog
The underdog plot is similar to rivalry, but where one person (usually the
hero) has less advantage and might normally be expected to lose. The
underdog usually wins through greater tenacity and determination (and
perhaps with the help of friendly others).
*10. Temptation
In the temptation plot, a person is tempted by something that, if taken,
would somehow diminish them, often morally. Their battle is thus internal,
fighting against their inner voices which tell them to succumb.
11. Metamorphosis
In this fantastic plot, the protagonist is physically transformed, perhaps
into beast or perhaps into some spiritual or alien form. The story may then
continue with the changed person struggling to be released or to use their
new form for some particular purpose. Eventually, the hero is released,
perhaps through some great act of love.
*12. Transformation
The transformation plot leads to change of a person in some way, often
driven by unexpected circumstance or event. After setbacks, the person
learns and usually becomes something better.
Like above 13. Maturation
The maturation plot is a special form of transformation, in which a person
grows up. The veils of younger times are lost as they learn and grow. Thus
the rudderless youth finds meaning or perhaps an older person re-finds their
purpose.
****14. Love
The love story is a perennial tale of lovers finding one another, perhaps
through a background of danger and woe. Along the way, they become separated
in some way, but eventually come together in a final joyous reunion.
*15. Forbidden Love
The story of forbidden love happens when lovers are breaking some social
rules, such as in an adulterous relationship or worse. The story may thus
turn around their inner conflicts and the effects of others discovering
their tryst.
*16. Sacrifice
In sacrifice, the nobler elements of the human sprit are extolled as someone
gives much more than most people would give. The person may not start with
the intent of personal sacrifice and may thus be an unintentional hero, thus
emphasizing the heroic nature of the choice and act.
17. Discovery
The discovery plot is strongly focused on the character of the hero who
discovers something great or terrible and hence must make a difficult
choice. The importance of the discovery might not be known at first and the
process of revelation be important to the story.
18. Wretched Excess
In stories of wretched excess, the protagonist goes beyond normally accepted
behavior as the world looks on, horrified, perhaps in realization that
'there before the grace of God go I' and that the veneer of civilization is
indeed thin.
19. Ascension
In the ascension plot, the protagonist starts in the virtual gutter, as a
sinner of some kind. The plot then shows their ascension to becoming a
better person, often in response to stress that would defeat a normal
person. Thus they achieve deserved heroic status.
20. Descension
In the opposite to ascension, a person of initially high standing descends
to the gutter and moral turpitude, perhaps sympathetically as they are
unable to handle stress and perhaps just giving in to baser vices.
Pick some of your favorites so that the writers have some ideas (I’ve put *
next to the ones I think are most useful….
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